Time: 117 Minutes
Age Rating: Violence, sex scenes, nudity & content that may disturb
Cast:
Agathe Rousselle as Alexia
Vincent Lindon as Vincent
Garance Marillier as Justine
Laïs Salameh as Rayane
Director: Julia Ducournau

Alexia (Agathe Rousselle) suffers a terrible skull injury and has a titanium plate fitted into her head. When she gets out of the hospital, she rejects her parents and embraces passionately the car that almost killed her. She meets Vincent (Vincent Lindon). Vincent is a tortured man who tries to preserve his strength by injecting steroids into his aging body. Will they find a way to deal with their emotional problems?

I heard that Titane was the Palme d’Or winner, which definitely got my attention. I soon learnt that the director was Julia Ducournau, who previously made Raw, a movie that I’ve been meaning to check out for a while. I watched it and found it to be an incredible film, and it only increased my anticipation for her next movie. Having seen Titane, I can confirm that it is amazing, even if it’s not for everyone.

I won’t spoil the movie, much of it is worth going into yourself. It is hard to describe without saying too much, but I’ll do my best. However, I’d say that part of the premise is that a serial killer with a titanium plate in her head has sex with a car and finds herself pregnant. Of course the movie is more than just that but if your interest switched off after learning that, then chances are this movie might not be for you. The direction the story goes in is genuinely interesting though, and one worth experiencing for yourself. The first 30-40 minutes are very brutal and gruesome, and body horror is a present part throughout. However I expected that, pregnancy by car aside. It’s the second two thirds that caught me off guard, the second half is comparatively less grotesque and that’s where you find out what the movie is about. The script is original and ambitious, and I was invested in the story. The movie is certainly insane, unsettling and unnerving, and it takes influence from the likes of David Cronenberg (especially his 1996 film Crash). Despite many of the scenes in the movie, Julia Ducournau isn’t interested in ramping up the gore and being outwardly disturbing (outside of maybe the first act). The writing is very sincere, disarmingly sweet, and bizarrely beautiful. It was more profound and emotionally resonant than I was expecting. There’s a lot to take away from the movie and analyse. However I can tell from this one viewing that Titane was about family, abandonment and acceptance in its strangest form. Identity is also a big part, especially gender identity and gender fluidity. The movie does a great job at juggling multiple different tones and themes. As for issues, the first act and the rest of the movie does feel quite disjointed, mainly with how different they feel in tone. It doesn’t have a focused central idea like Raw did, and so its initially quite hard to figure out where the story is going. I do get the feeling it would improve on repeat viewing (but only if you really wanted to watch it again).

The performances are great, and it mostly comes down to the main two lead characters who are very fleshed out. Agathe Rousselle plays the main character of Alexia. At first she’s really not a character you start to like, especially given that she’s a serial killer who at first seems to stab anyone she meets. However you sympathise with her by the end, mainly in the second half. Helping this is a memorable, transformative, and committed performance from Rousselle, particularly impressive given that this is her first performance. Vincent Lindon is equally great as the captain of a firehouse who is also a father who’s lost his son. His performance is effectively restrained and sensitive, and his scenes with Rousselle are fantastic.

Julia Ducournau has once again shown herself to be an outstanding director. On a technical level, Titane is a massive step up from Raw, and that movie was already greatly directed. The cinematography and camerawork are amazing, visually striking with some very memorable imagery throughout. The sound design is rich and the score from Jim Williams (Possessor and Raw) is eerie and effective. The film is unflinching when it comes to the scenes of gore and violence, and the effects were impressive.

Titane will certainly be one of the most memorable and talked about films of the year. It will definitely alienate many people because of the graphic content and bizarreness. However I found it to be an intriguing mix of body horror and heartfelt drama, with excellent writing and direction, and great performances from the leads. Amongst my favourite films from 2021.